THE MAYORALTY OF MARTY WALSH : A LETTER FROM MEL KING

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^ Mel King : says that his endorsement was prompted by the “young adults” of Right to the City,” whom he “encouraged to do this analysis” of “its questionnaire to both candidates.”

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A letter from Mel King in today’s Boston Globe prompts me to write a column about Marty Walsh’s impending Mayoralty that I was already thinking about. In his letter, King — the Grand Old man of street-theater activism, decades before Occupy — says :

“A group called Right To the City, composed of various organizations working on access to affordable housing, good jobs, quality education, and sustainable community development, seeks to enable a cross section of racial, ethic, and income groups to remain and participate in all aspects of Boston.’

The letter continues : “The group’s members, a new rainbow coalition, are in the forefront of such issues as foreclosure blockades to protect people’s homes, stopping no-fault tenant evictions, and fighting alongside unions for construction jobs.”

This letter fascinates me. It raises all sorts of questions :

1.The second quote sums up the organization City Life/Vida Urbana, of which Steve Meacham, a man very close to both Felix Arroyo’s, is the justly respected spokesperson. Vida Urbana does all but one (that, see below) of the things cited in that quote. Yet in the Primary, when it most mattered, King did not back Felix G. Arroyo. He was closest to Charles Clemons, a man of almost Republican economic views, and to Clemons’s major supporters — all of whom ended up supporting John Connolly.

2.The first quote mentions affordable housing initiatives as one of Right To the City’s priorities. Did King not know — does he not YET know ? — that one of John Connolly’s primary endorsers, State Representative Jay Livingstone, filed and shepherded a $ 1.4 billion affordable housing bond bill that Governor Patrick signed into law just last week ? Later in his letter King says that “the group felt that Walsh was more responsive to its concerns.” Not true of the affordable housing issue.

3.King then says, “Having encouraged these young adults to do this analysis, I joined with them.” King then talks about watching Walsh, at several rallies : “I saw evidence of ways Walsh’s campaign included people.” True enough; but did King not manage to see a few of John Connolly’s rallies ? If not, why not ? It would be fascinating to know what inclusion King did NOT see at the Connolly rallies.

These questions merit answering. Can I start with the one thing, in King’s quote, that City Life does NOT do :  “…fighting alongside unions for construction jobs” ?

These seven words express the reason why King finally joined a group comprised chiefly of Felix G. Arroyo people, to endorse a man about whom this most original of Boston citizens had nothing original to say…

Construction jobs and unions were Walsh’s cliche. The Construction Chief’s campaign piled forty stories of Mayor-initiative atop that cliche, space well built and beautifully appointed by 600 architects of policy hired for the job. The cliche is what King clings to.

Time is coming soon now when that policy building will have to be built. Will it be ? CAN it be ?

Walsh is hemmed in by his union support even more than he is empowered by it. If he favors his unions supporters too obviously, he will hand a perfect “See ? we told you so” issue to a 2017 opponent. If he cracks at the next City union contract crunch time… or, if he pushes back against the City unions, as he did against the school bus drivers… If he proceeds with the infamous House Bill 2467…or if that bill is never heard from again : whichever way Walsh chooses, either the opposition will gain or his supporters will complain. Which is it to be ?

Implementing even a fraction of the 40 policy initiatives that his campaign crafted and published will require intricate management. Compromise and collaboration won’t suffice. Every one of Walsh’s policy proposals shifts the job descriptions of those who will have to carry them out. City employees, like union workers, resist work rule changes. gho will assure that the city employees tasked to carry out Walsh’s initiatives will comply ? Will feel enthusiastic about it ?

Enter, perhaps, some of those business, university, and Union partnerships that Walsh talked of during the campaign.

And then comes the Boston Public Schools, which, according to State evaluation, appear able to educate properly barely half their students.

Easier for Walsh will be what he is already masterful at, with long partnerships in place : continuing the Boston building boom. And ramping it up. The Building trades people and the developers who accord them a living can expect to work the BRA a lot more invitingly than they did under Mayor Menino. City hall plaza — a good idea, if rather impracticable — and hotels galore, new school buildings, Downtown Crossing, Dudley Square, Jackson Square — and more. The next few years will surely be a field day for Boston construction. Probably, also, for workers from the City’s communities of color, whose entry into the Building trades Walsh has long sought, with less success than he would like.

This is one deal that Walsh can definitely close.

It seems, however, that Walsh and his team want to say and do everything they can to distract the voters’ attention from this deal. The Walsh Mayoralty, in their talk and print, puts on an ear-ful of masquerade. Is there a reason why the Walsh team so gilds their developer-deal lily ? Certainly it’s not that building trades jobs are a bad thing. They’re very much a good thing. Then what IS it that they are cos-playing about ? Do I sense a price tag dressed in domino in the background ? (Yes, I am thinking Venice here — an echo only, since we won’t be getting a Venetian casino, sigh.) Perhaps when we find out who the “One Boston PAC” is — the half-million bucks that Joce Hutt is harlequin-ing for — we’ll find out who is carnivalling in Walsh’s political pasquinade.

—- Michael Freedberg / Here and Sphere

FREEDOM AND CONTROL : VICTOR CALDERONE MASTERFUL @ BIJOU BOSTON 11.15.13

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^ full tilt train trip into the mystic : Victor Calderone at Bijou last night

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There were two distinct parts to Victor Calderone’s masterful set dropped on a full dance floor at Bijou last night : the absolute certainty of classic train-trip R & B, and the limitless fantastical of an escapist movie soundtrack. Calderone laid down the law of train trip sure enough to carry an entire matrix of escapist sounds. Everybody got on board — his train-trip beats sounded huge, magnetic, commanding — and once on board, found all their imaginables piqued, tickled, salivated, gravy-ed.

Rarely have I seen a DJ dominate a mix board as relentlessly as Calderone last night. Deploying one channel or two, even three at a time, he left hardly any bars of sound as-is. He whittled, blended, jumped, stuttered, progressed all of his tracks — including such feasts of abstraction as “into the Void,” “Shame Cube,’ “Break It,’ and the ultimate “The Journey Begins,” inviting the dancers to conceive all manner of spirit-physical selfies. Bottom rhythms purred gigantically; streak-ies of all sorts arose; tickle percussion — his signature — made a few appearances; and echo effects painted it all in a  glow and a shimmer that made one want to sing.

The music delivered all of it to the dancers, clothed their bodies from head to toe in space beckoning dream-scapes, with such force and conviction that every person in the room delivered body and soul to Calderone, to whatever chug, choogle, boom, and bomp, prickle and whimsy he had ready. And he had plenty.

We do not live in a vacuum but in heavy air — the gas of history afoot — and that Calderone’s mix-board work and sound progressions balanced freedom and control — opposites in the world we move in — mirrored what is going on, politically, in the arena of events. There, freedom bitterly fights against control freaks, and control robots push back against freedoms. Only if the center holds does it meld rather than fracture as anarchy. In the policy ring that center is our government; at Bijou it was the DJ. Few dancers may have noticed the analogy between government and Calderone, but by consenting to his DJ rigor and dominance, they reaped the fruits of emotional and, dare I say, spiritual liberty.

Calderone’s sound this time was quite different from the sexy-sensual, magic carpet rides of vroom and tickle, reverb and murmur that were his signature for many years. I found myself surprised — but not disappointed at all. If no longer the “Superflyin’,” “Boarding Pass”  love maker, Calderone was yet a very effective suitor. It proved impossible to resist his consensual imagination inviting a room full of digital people to a feast of danced innovation.

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^ opening the door : Brunno Santos

The opening two-hour set was delivered by one of Boston’s most accomplished DJs, Brunno Santos, himself an avatar of sonic abstraction riding prerequisite train tracks. His set had all the hugeness and blue funk of Calderone’s, graciously leading to the Master’s huge up-steps.

—- Deedee Freedberg / Feelin’ the Music